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Hedwig and the Angry Inch, directed by John Cameron Mitchell and written by Stephen Trask (The Nice Guys), was released in 2001 and starred John Cameron Mitchell as the titular character.
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The World is based on John Cameron Mitchell’s grungy glam rock stage musical (Joe vs. The Birdcage is wildly satirical, super campy, and hella gay, even though it technically involves hiding one’s queer identity.Īdvertisement’Hedwig and the Angry Inch’ (2001)Source: Killer Films’Hedwig and the Angry Inch’ (2001) Hilarity ensues when Val asks the two outrageously over-the-top gay men if they can “play it straight” for a few days. Val (Dan Futterman), Armand’s son, delivers a warning and a favor when he announces his engagement to Barbara (Calista Flockhart).īarbara’s parents, Republican Senator Kevin Keeley (Gene Hackman) and his wife Louise Keeley (Dianne Wiest), are staunch conservatives who would not approve of Armand and Albert as her in-laws. Armand (Williams), the owner of a gay nightclub in Miami, and flamboyant drag queen Albert (Nathan Lane), the club’s main attraction, have been longtime friends. The Birdcage is a remake of the 1978 French film La Cage aux Folles, starring the late Robin Williams. United Artists Nichols Film Company produced ‘The Birdcage’ (1996). However, when Diana (Guinevere Turner), an alluring, confident white lesbian, falls into Cheryl’s lap, questions about her Blackness, how Black lesbians are perceived in the broader gay community, and her own desires begin to take over. Cheryl, a 20-year-old aspiring Black lesbian filmmaker and video store employee, tries to make a documentary about the beautiful 1930s Black actress Fae Richards, aka “The Watermelon Woman.” ‘The Watermelon Woman’ (1996)’The Watermelon Woman’ (1996)’The Watermelon Woman’ (Īs one of the first Americans in the United States, Cheryl Dunye’s experimental comedy from 1996, in which she also stars, is regarded as a landmark in New Queer Cinema. ‘The Watermelon Woman’ (1996)Source: 13th Gen. There’s a lot more to being a part of the “alphabet mafia” than meets the eye, and these queer films show it. While that is a significant turning point in a queer person’s life, it isn’t the be-all and end-all of gay life. While there are a plethora of options, many of them center on queer self-discovery and coming out of the closet. And we’re fortunate to have a plethora of them in our increasingly progressive world, many of which are directed by trailblazing queer filmmakers. There’s no better way to commemorate Pride Month for us film buffs than by watching a few LGBTQ-themed films.